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THE PLOT
Roommates Nathalie (Coralie Revel) and Sandrine (Sabrina Seyvecou) form a strategy to dispense sex strategically to manipulate men into submission for financial glean and advancement. They inaugurate their understanding at a sizable prestigious Paris brokerage house. After initial successes and fast advancement, they meet their match in the company CEO, Christophe (Fabrice Deville) the splendid amoral son of the company’s founder.
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THE STORY
A splendid woman reclines on a day bed. She is restless and she is NAKED. A spotlight seems to highlight her gyrations and machinations. She sits up and slips into high-heeled sandals. She leans wait on and puffs out her chest. She places one hand upon her breast and kneads her nipple. The hand moves down across her midriff to her sex and she massages it. Suddenly she stands up and deliberately struts across the hardwood floor. After a dozen or so purposeful steps, facing the camera, she lowers herself to her knees and bends succor once again. The spotlight is smooth on her as she masturbates and as she masturbates, the camera pans correct. After panning about ninety degrees, you begin to glimpse people sitting at tables and the more it pans, you realize you are in a nightclub and the woman is an exotic performer. The woman is Nathalie.
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Nathalie and Sandrine a recently hired bartender were fired that night because Nathalie would not allow the owner to force Sandrine to sleep with a customer. Tossed out on the street with nowhere to go, Sandrine approved Nathalie’s offer to exhaust the night. At her apartment, Nathalie urges Sandrine to loosen up after she admitted to admiring Nathalie’s nerve and lack of inhibitions.
Nathalie, with her dry humor and strong will, made Sandrine laugh and eventually coerced her to do in front of her what Nathalie had done in front of an audience. With that, the bond was sealed and plans were laid, based on Nathalie’s distorted opinion of care for and sex, to manipulate all men and effect a station in society for themselves. After the women’s initial successes and having compromised their boss Delacroix, (Roger Mirmont), their concept begins to devolve into a whirlpool of ruthlessness, unrequited treasure, group sex, lesbian sex, three-way sex, and masturbation, in which the only arrangement out appears to be suicide or execute.
CONCLUSION
The highly charged erotic opening scene plot the theme for the movie so well, that I was mesmerized for the rest of the movie. Good nothing that came after, with the possible exception of an “Eyes Wide Shut” style orgy scene slow in the movie, was quite as electric but I serene enjoyed the movie immensely. You ogle Secret Things had a tale. It had a station. A apt myth, a friendly site, and the overall acting was very first-rate. Secret Things is the closest I have viewed to a commercially viable, mainstream, erotic movie.
The movie Secret Things is appropriately named. The storyline is structured on secrets, deception and the duplicitous side of human nature. It is a reflection of a unlit, lascivious side of life, which rarely is truly, captured on film. In fact the movie seemed to touch on one accomplish or another, at one point or another, on all of `The Seven Deadly Sins’ – pride, envy, gluttony, lust, arouse, greed and sloth, obviously a perfect bad erotic movie.
Secret Things, French name – Choses Secretes, is the kind of movie one either loves or hates. I happened to be a lover. Even the fact that the movie was French with English sub titles did not dampen my enjoyment.
“Secret Things” (Choses Secrètes) explores the desires, ambitions, and obsessions that lie beneath the surface of everyday behavior. Specifically, life in the business world conceals a host of psychosexual games. Nathalie (Coralie Revel) is a worldly erotic performer and Sandrine (Sabrina Seyvecou) is the fresh-faced bartender at a Paris club. When they both lose their jobs, they become roommates. Sandrine envies Nathalie’s sexual self-confidence and abandon and is receptive to her lessons in life, sex, and manipulation. The two women area out to climb the socio-ecomomic ladder by seducing an earnest, dedicated senior employee (Roger Mirmont) at a company where they have both found employment The idea comes with some risk -in the perform of the company’s slick, megalomaniacal heir (Fabrice Deville) – that they may plunge victim to their enjoy machinations.
Sandrine narrates this bizarre fable of sexual power. The record could be told without voiceover narration, but, since it is essentially the anecdote of Sandrine’s self-discovery, the narration doesn’t seem gratuitous and is only a shrimp bit idle. Probably the most capable thing that I can say about “Secret Things” is that it is a film for distinct tastes. This is talky, introverted, neurotic, psychosexual gobbledygook. It is French, in other words. There is a grand deal of lesbian sex and nudity. The ideas presented in “Secret Things” are not recent, but most of the film is sufficiently seductive and unpredictable to retain the audience wondering how it will all turn out. That is not to say that it is realistic. There is a point at which the sage goes over the top and, in my thought, becomes laughably baroque and tiring,. But “Secret Things ” is generally delectable if you like heavy-handed, explicit treatises on sexual power. In French with English subtitles.
The DVD: Bonus features include a “Photo Gallery” featuring stills from the movie and a text “Director Biography and Filmography”.
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